The Last Supper

A group of idealistic, college-educated friends who are fed up with the rising tide of right-wing rhetoric decide to take matters into their own hands. What begins as a plan to invite controversial conservative pundits into their home for dinner quickly turns into something far darker: one by one, the hosts resort to murder, convincing themselves that silencing these voices is a civic duty. The film opens an unsettling moral experiment that mixes tension and gallows humor as the characters try to justify increasingly extreme actions.

The tone is a razor-edged black comedy that balances witty, sharp dialogue with mounting dread. As the victims keep coming and the bodies accumulate, the group’s unity unravels—guilt, paranoia, and power struggles tear at their relationships. The film satirizes political absolutism and media sensationalism while never allowing viewers to settle comfortably into a clear moral stance.

Ultimately, the movie forces the audience to confront uncomfortable questions about vigilantism, hypocrisy, and the consequences of taking ideology to its violent extreme. It’s provocative and unsettling, crafting a story that is as much about character and moral collapse as it is about the culture wars that inspired it.