Stephanie Roth Haberle

Two competing lawyers join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops their courage overcomes the prejudice and corruption of their powerful adversaries.

Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.

A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.

Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie's staunch support? Literally and figuratively, the proof is the picture.

While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.

A renowned ophthalmologist is desperate to cut off an adulterous relationship…which ends up in murder; and a frustrated documentary filmmaker woos an attractive television producer while making a film about her insufferably self-centered boss.