Angelo Novi

Born:9. juni 1930

Place of Birth:Lanzo d'Intelvi, Italy

Died:6. mai 1997

Known For:Camera

Biography

Angelo Novi, born on June 9, 1930, left a lasting legacy in the world of Italian cinema through his remarkable work as a photographer. Over the span of thirty years, Novi collaborated closely with renowned directors such as Bernardo Bertolucci, Sergio Leone, and Pier Paolo Pasolini, capturing the essence of their films through his lens. His journey into photography began after studying at the prestigious Brera Academy in Milan, where he honed his skills and developed a keen eye for detail.

Inspired by legendary photographers like Henri Cartier-Bresson and Robert Capa, Novi mastered the art of seizing the decisive moment, a skill that would become a defining feature of his work. His photographs not only documented the on-screen action but also delved into the behind-the-scenes world of Italian cinema, offering a glimpse into the intimate moments and emotions that unfolded on set. The contrast of proximity and distance, coupled with his adept use of black and white, added depth and nuance to his images, elevating them to a form of visual storytelling.

Throughout his career, Novi's photographs served as a vital component of the cultural tapestry of Italian cinema's golden era. His ability to encapsulate the essence of a scene in a single frame brought a unique perspective to the medium, allowing viewers to experience the magic of filmmaking through his eyes. As a silent observer behind the camera, Novi immortalized moments that would have otherwise faded into obscurity, preserving them for future generations to admire and appreciate.

Beyond merely documenting the technical aspects of film production, Novi's photographs captured the human side of cinema, revealing the raw emotions and untold stories that unfolded both on and off the screen. His keen sense of observation and his talent for capturing candid moments set his work apart, infusing each image with a sense of authenticity and depth. Novi's legacy as a photographer extends far beyond the realm of Italian cinema, influencing generations of aspiring photographers and filmmakers with his innovative approach and distinctive style.

As a master of his craft, Novi used his camera not just to record images but to convey narratives, emotions, and atmospheres, creating a visual chronicle of a bygone era in Italian cinema. His photographs serve as a testament to his dedication, passion, and artistry, immortalizing the magic of the silver screen in timeless black and white. Angelo Novi's contributions to the world of cinema photography continue to inspire and captivate audiences, ensuring that his legacy lives on as an integral part of Italy's cinematic history.

Filmografi

Skuespill

The Good, the Bad and the Ugly

Monk

1966

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

My Name Is Nobody

Bartender

1973

Jack Beauregard, an aging gunman of the Old West, only wants to retire in peace and move to Europe, but a young gunfighter known as "Nobody" who idolizes Beauregard wants him to go out in a blaze of glory. So, he arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.

Produksjon

The Good, the Bad and the Ugly

Still Photographer

1966

Once Upon a Time in America

Still Photographer

1984

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

The Last Emperor

Still Photographer

1987

A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.

Django

Still Photographer

1966

A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.

Last Tango in Paris

Still Photographer

1972

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

Duck, You Sucker

Still Photographer

1971

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

1900

Still Photographer

1976

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Stealing Beauty

Still Photographer

1996

Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.

The Conformist

Still Photographer

1970

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Little Buddha

Still Photographer

1993

After the death of Lama Dorje, Tibetan Buddhist monks find three children — one American and two Nepalese — who may be the rebirth of their great teacher.

Theorem

Still Photographer

1968

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

Mamma Roma

Still Photographer

1962

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.