Elvira Mínguez

The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista.

When the naked body of a teenage girl is found on the banks of the River Baztán, it is quickly linked to a similar murder one month before. Soon, rumours are flying in the nearby village of Elizondo. Is this the work of a ritualistic killer or is it the basajaun, the ‘invisible guardian’ of Basque mythology? Inspector Amaia Salazar leads the investigation, taking her back to the heart of the Basque country where she was born, and where she hoped never to return. Shrouded in mist and surrounded by impenetrable forests, it is a place of unresolved conflicts and a terrible secret from Amaia’s childhood that will come back to haunt her. Faced with the superstitions of the village, Amaia must fight the demons of her past to confront the reality of a serial killer on the loose. But as she is drawn deeper into the investigation, she feels the presence of something darker lurking in the shadows…

Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her Argentinian husband and children. However, the trip is upset by unexpected events that bring secrets into the open.

In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they arrive in a small town, the actors encounter a woman being sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors now stage a performance based on the crime. Through the performance of the play, they discover a mystery.