James Flavin

James Flavin

Born:14 Mei 1906

Place of Birth:Portland, Maine, USA

Died:23 April 1976

Known For:Acting

Biography

James Flavin, an American character actor with a career spanning nearly five decades, was a versatile performer known for his ability to embody a wide range of roles on screen. Despite being often typecast as an "Irish" character in Hollywood, Flavin's heritage was actually a mix of Canadian-English and Irish descent, with his roots tracing back to Portland, Maine. This connection to his hometown may have deepened his artistic collaboration with legendary director John Ford, who also hailed from Portland.

Flavin's journey into the world of acting was not a conventional one. After a brief stint at the United States Military Academy at West Point, he found himself drawn to the allure of the stage. His humble beginnings driving a taxi in Portland eventually led him to a serendipitous opportunity in 1929 when he was asked to fill in for an actor in a summer stock company. This pivotal moment marked the beginning of Flavin's acting career, propelling him into the world of theater and eventually leading him to New York City.

While Flavin did not achieve immediate success on Broadway, he honed his craft through stock productions and tours across the country before making his way to Los Angeles in the early 1930s. It was in Hollywood that Flavin found his niche in the film industry, landing his first leading role in the Universal serial "The Airmail Mystery" in 1932, where he also found love with his co-star Lucile Browne, whom he married that same year. However, this marked a shift in his career trajectory, as he transitioned to playing supporting characters, often portraying uniformed cops, detectives, and other authority figures with authenticity and depth.

Over the course of his prolific career, Flavin appeared in nearly four hundred films and close to a hundred television episodes, showcasing his versatility and range as an actor. From playing hard-bitten detectives to palace guards, Flavin brought a sense of gravitas and realism to each role he inhabited. His dedication to his craft and his ability to bring depth to even the most minor characters solidified his status as a respected character actor in the industry.

Flavin's final on-screen appearance came in the role of President Dwight D. Eisenhower in "Francis Gary Powers: The True Story of the U-2 Spy Incident" in 1976, before his passing due to a heart ailment later that year. His legacy lives on through his body of work, which continues to be celebrated by fans of classic cinema. Flavin's contributions to the entertainment industry, alongside his wife Lucile, who passed away shortly after him, left an indelible mark on Hollywood. Today, they rest together at Holy Cross Cemetery in Culver City, California, leaving behind a lasting impact on the world of film and television.

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James Flavin
James Flavin

Filmografi

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King Kong

King Kong

Mate Briggs

1933

Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
It's a Mad, Mad, Mad, Mad World

It's a Mad, Mad, Mad, Mad World

Patrolman (uncredited)

1963

A group of strangers come across a man dying after a car crash who proceeds to tell them about the $350,000 he buried in California. What follows is the madcap adventures of those strangers as each attempts to claim the prize for himself.
My Man Godfrey

My Man Godfrey

Detective (uncredited)

1936

Fifth Avenue socialite Irene Bullock needs a "forgotten man" to win a scavenger hunt, and no one is more forgotten than Godfrey Park, who resides in a dump by the East River. Irene hires Godfrey as a servant for her riotously unhinged family, to the chagrin of her spoiled sister, Cornelia, who tries her best to get Godfrey fired. As Irene falls for her new butler, Godfrey turns the tables and teaches the frivolous Bullocks a lesson or two.
The Grapes of Wrath

The Grapes of Wrath

Guard (uncredited)

1940

Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.
Laura

Laura

Det. McEveety (uncredited)

1944

A police detective falls in love with the woman whose murder he's investigating.
It Happened on Fifth Avenue

It Happened on Fifth Avenue

First Policeman (uncredited)

1947

A New Yorker hobo moves into a mansion and along the way he gathers friends to live in the house with him. Before he knows it, he is living with the actual home owners.
You Can't Take It with You

You Can't Take It with You

Jailer (uncredited)

1938

Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
You Only Live Once

You Only Live Once

State Trooper (uncredited)

1937

Based partially on the story of Bonnie and Clyde, Eddie Taylor is an ex-convict who cannot get a break after being released from prison. When he is framed for murder, Taylor is forced to flee with his wife Joan Graham and baby. While escaping prison after being sentenced to death, Taylor becomes a real murderer, condemning himself and Joan to a life of crime and death on the road.
Mildred Pierce

Mildred Pierce

Detective (uncredited)

1945

A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.
In Cold Blood

In Cold Blood

Clarence Duntz

1967

After a botched robbery results in the brutal murder of a rural family, two drifters elude police, in the end coming to terms with their own mortality and the repercussions of their vile atrocity.