Andréas Voutsinas

Andréas Voutsinas

Born:August 22, 1932

Place of Birth:Khartoum, Sudan

Died:June 8, 2010

Known For:Acting

Biography

Andreas Voutsinas, a talented Sudanese-Greek actor and theater director, left a remarkable legacy in the entertainment industry. Born in Khartoum in 1930 to Greek parents from Kefalonia, Voutsinas' early exposure to diverse cultures influenced his later work in the arts. Following the collapse of his family's pasta business during World War II, he relocated to Athens with his mother, where his passion for acting and the performing arts began to blossom.

Voutsinas honed his craft by studying acting and costume design at prestigious institutions such as the Old Vic School and the Webber Douglas Academy in London. His dedication to his art led him to join The Actors Studio in 1957, where he further refined his skills under the guidance of industry veterans.

Throughout his career, Voutsinas showcased his versatility as both an actor and director, with over 130 performances of classical and contemporary works staged in various cities across the globe. His collaborations with renowned figures like Elia Kazan and Jane Fonda helped solidify his reputation as a multifaceted talent in the theater world.

In the realm of cinema, Voutsinas made a lasting impression through his roles in iconic films, notably his memorable appearances in three Mel Brooks productions. His portrayal of characters like Carmen Ghia in "The Producers" and "History of the World, Part I" endeared him to audiences and solidified his status as a versatile character actor.

In addition to his on-screen accomplishments, Voutsinas dedicated himself to nurturing the next generation of performers through his acting workshops and coaching sessions. His commitment to sharing his knowledge and expertise with aspiring actors underscored his passion for cultivating talent and preserving the art of acting.

In the 1980s, Voutsinas returned to his ancestral homeland of Greece, where he continued to make significant contributions to the theater scene. His directorial work, ranging from Tennessee Williams to Euripides, showcased his deep appreciation for both classical and contemporary repertoire.

Despite facing health challenges in his later years, Voutsinas remained dedicated to his craft, teaching acting at the State Theatre of Northern Greece and establishing his own drama school in Thessaloniki. His commitment to nurturing young talent and fostering a love for the performing arts endured until his passing in 2010, leaving behind a rich legacy that continues to inspire aspiring actors and directors around the world.

Images

Andréas Voutsinas

Filmography

Acting

The Big Blue

The Big Blue

Priest

1988

Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
History of the World: Part I

History of the World: Part I

Bearnaise

1981

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
The Producers

The Producers

Carmen Ghia

1968

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Production