Ann Miller

Ann Miller

Born:12. dubna 1923

Place of Birth:Houston, Texas, USA

Died:22. ledna 2004

Known For:Acting

Biography

Ann Miller, born Johnnie Lucille Collier on April 12, 1923, was a multifaceted American performer known for her exceptional talents in dancing, singing, and acting. Her legacy is deeply rooted in the Classical Hollywood musical films of the 1940s and 1950s, where she captivated audiences with her vivacious presence and remarkable skills.

Miller's journey into show business began at a remarkably young age when, at 13, she became a showgirl at the Bal Tabarin and later caught the eye of Lucille Ball and talent scout Benny Rubin. This encounter led to her signing a contract with RKO at the age of 13, where she started her career and honed her craft as a dancer and actress.

Throughout the 1940s, Miller transitioned to Columbia Pictures, starring in a series of B movie musicals that showcased her versatility and charm. It was during this time that she solidified her reputation as a dynamic performer with an undeniable screen presence.

Renowned for her lightning-fast tap dancing skills, Miller became a sensation in the industry. Although studio publicists exaggerated her abilities by claiming she could tap 500 times per minute, her genuine talent and dedication to her craft shone through in every performance.

As the era of Hollywood musicals began to wane in the 1950s, Miller gracefully transitioned to other mediums, including theater and television. Her Broadway appearances in productions like "Mame" and "Sugar Babies" cemented her status as a legendary performer, earning her accolades and admiration from audiences and critics alike.

In addition to her stage and screen work, Miller's contributions to the entertainment industry were recognized with prestigious honors. She received a star on the Hollywood Walk of Fame and was immortalized with a Golden Palm Star on the Palm Springs Walk of Stars, commemorating her enduring impact on the world of dance and film.

Beyond her professional achievements, Miller's playful spirit and love for her craft endeared her to fans and colleagues alike. Her favorite pair of tap shoes, affectionately named "Moe and Joe," are now on display at the Smithsonian Institution, serving as a reminder of her passion and dedication to the art of dance.

Ann Miller's legacy lives on as a testament to the golden age of Hollywood and the timeless allure of musical cinema. Her talent, charisma, and boundless energy continue to inspire performers and audiences around the world, ensuring that her memory remains eternally cherished in the hearts of all who appreciate the magic of entertainment.

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Ann Miller
Ann Miller
Ann Miller

Filmografie

Herectví

Mulholland Drive

Mulholland Drive

Coco

2001

Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Easter Parade

Easter Parade

Nadine Hale

1948

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
You Can't Take It with You

You Can't Take It with You

Essie Carmichael

1938

Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
On the Town

On the Town

Claire Huddesen

1949

Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
Mulholland Dr.

Mulholland Dr.

Coco

1999

Initially, "Mulholland Dr." was to mark David Lynch's return to television. It is a retooling of a script originally shot as a 94-minute pilot for a TV series (co-written with TV screenwriter Joyce Eliason) for the channel ABC, which had approved the script, but chose not even to air the pilot once it was done in 1999, despite Lynch's labours to cut the project to their liking. It was left in limbo until 18 month later French company Studio Canal Plus (also producer of 'The Straight Story') agreed to pay ABC $7 million for the pilot, and budget a few million more to turn the pilot into a two-hour, 27-minute movie. The cost of the film doubled to $14 million as sets had to be reconstructed and actors recalled.